Fall 2009 Lower- and Upper-Division Courses Print

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LD ARCH 24
FRESHMAN SEMINAR IN LANDSCAPE ARCHITECTURE AND ENVIRONMENTAL PLANNING
KONDOLF

(1) One hour of seminar per week. The Berkeley Seminar Program has been designed to provide new students with the opportunity to explore an intellectual topic with a faculty member in a small-seminar setting. Berkeley Seminars are offered in all campus departments, and topics vary from department to department and semester to semester.

The River on Film

This seminar meets eight weeks, with the first meeting August 31st, other dates TBA. Because of the time required to screen the films, the course meets for a longer time than the standard seminar, but not every week.  In addition to seminar meetings, there are required screenings at Pacific Flim Archives (PFA).

Rivers have always drawn artists, inspired by the river's form and movement, and its intimate relation with human settlement from ancient times to present. Rivers were frequent subjects of the large-format landscape paintings that toured the American hinterland in the nineteenth century, a precursor to films, and with the emergence of film in the early twentieth century filmmakers were quick to exploit the medium's ability to capture fluvial form and movement, and its relation to human life. One popular narrative has been the river journey as road movie, in which the protagonists undertake a trip down a river and are transformed by their experience.  Both filmmaking and large dam construction developed in the twentieth century, and large dams have long been popular subjects of films, by virtue of their scale and symbolic importance (ranging from government propaganda pieces, to adventure epics, to evocations of river life). This course involves viewing films featuring rivers, floods, and dams,  and guest lectures by Nick Edwards, a film consultant. Course requirements include viewing films, reading, participating in discussion, and writing a short (two-page) research paper requiring use of the PFA library. Students enrolled in the class are admitted free to selected PFA screenings. Readings are posted on-line (password-protected) on class web.

Dr. G. Mathias (Matt) Kondolf is Professor of Environmental Planning at UC Berkeley and a fluvial geomorphologist specializing in environmental river management and restoration of rivers and streams. He was a principal investigator in a recent national-level study of river restoration, a member of the Environmental Advisory Board to the Chief of the US Army Corps of Engineers, and a member of the National Research Council Committee on Hydrology, Ecology, and Fishes of the Klamath River Basin. Dr. Kondolf was an author of the CALFED Ecosystem Restoration Program Strategic Plan. He developed the restoration flow regime adopted in the 2006 settlement to restore salmon in the San Joaquin River below Friant Dam.

LD ARCH 101
FUNDAMENTALS OF LANDSCAPE DESIGN
STILGENBAUER (SEC 1-Graduate) / EDWARDS & MEIL (SEC 2-Undergraduate)

(5) Two hours of lecture and six hours of studio per week. Prerequisites: ENV DES 11A and 11B or consent of instructor. This studio introduces students to the programmatic, artistic, and technical aspects of land form and topographic adjustments to accommodate human use. Topics include pedestrian and vehicular circulation, conservation and addition of plant materials, movement of water, recreation use, and creation of views. Sculptural land forms will be emphasized through the use of topographic plans, sections, and contour models.

Extended Course Description 

This course, through a studio format, introduces the concepts, principles and techniques required to design landscapes. The studio is a hands-on experience where students will produce drawings, models and other artifacts to convey their design solutions for the projects assigned. In the first year landscape architectural studio sequence, it is our intention that students begin to learn to manipulate the three key formal elements available to the landscape designer - the land (topography), architectural form (walls, pavements, small structural objects and furnishings) and vegetation. Although the projects in this studio will require some experimentation with all three, we will concentrate primarily on the skills required to manipulate topography.

Goals and Objectives

  • To become more thoughtful observers and critics of the built landscape. Learning to observe and evaluate the aesthetic, social and ecological successes of existing landscapes can inform your decisions on your own projects.
  • To develop the ability to embody an idea within the landscape.
  • To develop the ability to think and conceptualize in three dimensions.
  • To develop a design methodology that allows you to identify, analyze and propose a physical solution to a design problem.
  • To learn to think "in scale" that is, to understand how big, how long, and how far various landscapes are in geographic and temporal scale.
  • To develop the graphic communication skills required to convey formal intentions.
  • To develop the ability to visualize three-dimensional earthforms from two-dimensional topographic maps.  You will learn to manipulate topography to achieve both aesthetic and functional intentions.

Prerequisites

ENV DES 11A and ENV DES 11B

Requirements

  • Analytical studies of two landscapes, one local and one historical
  • 4 projects will each require you to make a design proposal
  • A series of short topographic exercises
  • Regular class attendance
  • A sketchbook and digital portfolio as a record of the semester

LD ARCH 103
ENERGY, FANTASY, AND FORM
SULLIVAN

(5) Three hours of lecture and six hours of studio per week. Prerequisites: LD ARCH 101, 102, ENV DES 11A, 11B, (ARCH 100A or 100B) or by consent of instructor. This is an undergraduate studio with a central focus on climate modification for energy conservation. We will research historical precedents in order to develop new garden forms for passive green designs. We will also explore how past cultures integrated metaphysics into their gardens as an adjunct to microclimate and habitat design. The contemporary landscape should be a balanced interweaving of proportion, function, comfort, energy conservation, and enlightenment. Additionally, we will study the choreography of space and investigate how to animate the landscape through the creative interpretation of text and film. Many new and exciting opportunities lie ahead for the creation of garden forms that not only conserve energy, but are also works of art and places of spiritual renewal.

LD ARCH 110
ECOLOGICAL ANALYSIS
MCBRIDE

(4) Three hours of lecture and four hours of field laboratory per week. Analysis of environmental factors, ecosystem functions, and ecosystem dynamics, as related to decision-making for landscape planning and design.

Extended Course Description

Ecological Analysis is concerned with developing an understanding of natural factors of the environment as they relate to one another and how these factors must be considered in landscape design and land use planning. Eight factors will be considered: topography, geology, climate, soil, hydrology, flora, vegetation and fauna.

The lecture and laboratory formats will be used to present the material. Lectures are scheduled Monday, Wednesday and Friday at 8:00 AM. The lab will meet on Thursday and Friday 1:00 to 5:00 PM. The laboratory exercises will include fieldwork. Please be prepared for working outdoors. You will need a clipboard and pencil or pen and shoes or boots appropriate for hiking off of the beaten path for the field exercises.

Grading will be based on laboratory reports (100 points), homework problems (100 points), one midterm examination (200 points) and a final examination (300 points). Letter grades will be assigned on a percentage basis (90 to 100% = A; 80 to 89% = B; 70 to 79% = C; 60 to 69% = D; <60% = F).

The required readings of LA 110 are collected in a reader that is available from a local copy service. The reader is also on reserve in the Environmental Design Library. Numerous charts and diagrams are used in the lectures. These have been put together in “An Illustrated Outline of Ecological Analysis” which is also available from a local copy service.

LD ARCH 111
PLANTS IN DESIGN
STILGENBAUER

(3) Three hours of lecture per week. Prerequisites: LD ARCH 101, ENV DES 11A, 11B, or consent of instructor. Through lecture, research, and studio assignments, this course introduces the use of plants as design elements in the landscape, from the urban scale to the site-specific scale, focusing on the public open space. By analyzing historic, contemporary, and Bay Area examples, the course examines the spatial, visual, and sensory qualities of vegetation, as well as the interplay with ecological functions and engineering uses of plants.

Extended Course Description

Through lectures, research/studio assignments and student presentations, this course introduces the use of plants as design elements in the built landscape--from the urban design scale to the site specific scale. By analyzing historic, contemporary, and Bay Area examples, the class examines the spatial, visual, and sensory qualities of vegetation as well as the interplay with ecological functions and engineering applications of plants.

The class will meet twice a week, on Tuesday and Thursday, from 11:00 until 12:30. A series of assignments, sketch problems, the analysis, documentation and presentation of existing planting situations, built landscapes, and techniques, as well as two design projects, will provide students with an opportunity to explore and apply the ideas and concepts presented in the lectures, readings, class discussions, and site visits. Reviews of student assignments will occur during the semester. Student presentations to the class play an important role in the pedagogy of the course.

Required Readings
The required text will be provided as weekly handouts.

Recommended Books
  • Leszczynski, Nancy A., Planting the Landscape a Professional Approach to Garden Design, 1999 John Wiley and Sons, New York, 1998
  • Arnold, Henry, Trees in Urban Design, NY, Van Nostrand Reinhold, 2nd ed.
  • Carpenter, Philip L., Walker, Theodore D., Plants in the Landscape, 1998 Waveland Press, Prospect Heights
  • Editors of Sunset Books and Sunset Magazine; Sunset Western Garden Book, Menlo Park, Calif.: Sunset Pub. Corp., c1995

Grade Distribution
Assignment 1 (Basic Design Elements) — 15 %
Assignment 2 (Historic Examples) — 10 %
Assignment 3 (Engineering Uses) — 15 %
Sketch Project 1 (Planting Design) — 20 %
Project 2 (Planting Plan and Plant List) — 35 %
Class participation and attendance — 5 %

LD ARCH 130
SUSTAINABLE LANDSCAPES & CITIES (formerly, INTRODUCTION TO LANDSCAPE ARCHITECTURE)
HESTER

(3) Three hours of lecture per week. Survey of landscape architecture as it has evolved as an expression of people, time and place, including the garden, parks, and public open spaces. Land use planning and environmental protection. Discussion of design process and planning methods, materials, and techniques of professional practice.

Extended Course Description

To come.

LD ARCH 134A
DRAWING WORKSHOP |
HOOD

(3) Two hours of lecture and three hours of studio per week. Prerequisites: ENV DES 11A, 11B, or consent of instructor. This studio will elaborate on a number of studio themes while introducing the students to a variety of graphic mediums and drawing techniques. Measured drawing procedures (including orthographic projections) will be augmented by figure-ground principles and themes of contrast, color, chiaroscuro, and compositions. On-site and visits to galleries and museums will complement the studio sessions.

LD ARCH 134B
DRAWING WORKSHOP ||
KULLMANN

(2) Two hours of lecture and two hours of laboratory per week. Prerequisites: ENV DES 11A, 11B, or consent of instructor. Continuation of studio themes, as well as exercises in projection drawings and sectional strategies. Expressionistic modes of graphic communication will augment measured drawing procedures (color, collage, figuration, layering, etc.).

Extended Course Description

This course introduces students to digital tools relevant to the discipline of landscape architecture.  The course encompasses a series of lectures, lab exercises and projects designed to equip students with a solid and expandable computing skill base relevant to the learning and practice of landscape architecture. Beyond technical competency, particular emphasis is placed on empowering students to move freely and creatively between software programs as an effective way of finding their own ‘voice’ when generating and representing landscape.

Enrollment
Enrollment is limited to 16 students.  Enrolled students who do not attend the first class will be dropped from the course, unless you have contacted the instructor in advance.

Prerequisites
Prior experience with computers is helpful, but not required. This course is highly recommended for EP students.

LD ARCH 135
THE ART OF LANDSCAPE DRAWING
SULLIVAN

(3) Two hours of lecture and four hours of studio per week. This course develops freehand drawing as an integral part of the creative process and as an expressive design tool. A broad range of exercises is employed to help students progressively gain creativity, skill, and confidence in their drawing. Various media such as ink, colored pencils, and watercolor are explored as a method to design innovative landscapes. A variety of presentation techniques will be investigated for communicating landscape design. In addition to field sketching, there will be excursions to art galleries, artists' studios, and other creative environments. Through the integration of drawing with intuition and imagination, students will be able to bring their visions to reality.

Extended Course Description

"The only media for showing an object in its uniqueness is the visual arts. We ought to talk less and draw more and, like organic nature, communicate everything we have to say in sketches."
--J.W.Goethe, Italian Journey

Course Overview
Drawing is the foundation to creative problem solving and critical thinking, and as such is an integral part of environmental design. LA 135 emphasizes drawing in a wide variety of media to help students realize their full creative potential. The main objective of this studio is to explore the intuitive part of the design process and help individuals express their visions for a sustainable future. Exploration, experimentation and analysis will be encouraged. Drawing promotes a holistic approach to design and empowers one's creativity.

Format
Two 3-hour studios per week. This course develops freehand drawing as an integral part of the creative process and as an expressive design tool. A broad range of exercises is employed to help students progressively gain creativity, skill, and confidence in their drawing. Various media such as ink, colored pencils, and watercolor are explored as a method to design innovative landscapes. A variety of presentation techniques will be investigated for communicating landscape design. In addition to field sketching, there will be excursions to art galleries, artists’ studios, and other creative environments. Through the integration of drawing with intuition and imagination, students will be able to bring their visions to reality.

LD ARCH 170
HISTORY AND LITERATURE OF LANDSCAPE ARCHITECTURE
MOZINGO

(3) Three hours of lecture per week. This course surveys the history of landscape architecture in four realms: 1) gardens; 2) urban open space, that is, plazas, parks, and recreation systems; 3) urban and suburban design; and 4) regional and environmental planning. The course will review the cultural and social contexts which have shaped and informed landscape architecture practice and aesthetics, as well as the environmental concerns, horticultural practices, and technological innovations of historic landscapes.

Extended Course Description

This course surveys the history of landscape architecture, in four realms: 1) gardens; 2) urban open spaces--that is squares, plazas, parks, and recreation systems; 3) urban and suburban design; and 4) regional and environmental planning. The course will review the cultural, social, and economic contexts that have shaped and informed landscape architecture practice and aesthetics, as well as the environmental concerns, horticultural techniques, and technological innovations of historic landscapes.

Students will complete a midterm, final, and a research paper. You are also required to attend a paper topic session and a library research session to prepare for your research paper. Class attendance is absolutely necessary to complete the course with maximum success.

Required Text
Rogers, Elizabeth Barlow. Landscape Design: A Cultural and Architectural History. 2001. Available at ASUC. Two copies on reserve in the CED Library call# SB470.5.R64 2001

Grading
Midterm Exam 25%
8-15 page Research Paper 35%
Final Exam 40%

Contact Info
Prof. Louise Mozingo
Office: 310 Wurster Hall
Office Hours: TBA
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GSI
TBA

***NOTE: If you e-mail us, put "LA 170" on the subject line, otherwise you may get deleted.

Class List
If you wish to be in the class you must attend class on Thursday, September 3. Roll will be called and if you are not present you will be dropped from the course and others students on the waiting list will be added.

LD ARCH C188
GEOGRAPHIC INFORMATION SYSTEMS
RADKE

(4) Formerly C188X. Three hours of lecture and two hours of laboratory per week. Prerequisites: Some computer experience. This course introduces the student to the rapidly expanding field of Geographic Information Systems (GIS). It addresses both theory and application and provides the student with a dynamic analytical framework within which temporal and spatial data and information is gathered, integrated, interpreted, and manipulated. It emphasizes a conceptual appreciation of GIS and offers an opportunity to apply some of those concepts to contemporary geographical and planning issues. Also listed as Geography C188.

Extended Course Description

The course is designed to introduce the student to the rapidly expanding field of Geographic Information Systems (GIS). It addresses both theory and application and provides the student with a framework within which spatial problems can be identified and solutions generated. A Geographic information system is not merely an electronic tool kit designed to direct and facilitate the research interests of scientists and planners. Rather, GIS are a continually evolving, dynamic analytical framework within which data and information are gathered, interpreted, and manipulated, providing the researcher with a comprehensive medium where space, time and information may be integrated. This course will emphasize a conceptual appreciation of Geographic Information Systems and offer an opportunity to apply some of those concepts to contemporary geographical and planning issues.

A clear definition of GIS begins by defining its component terms:

  • The term geographic implies at the very least notions of dealing with the surface of the earth. A realistic generalization of this term might expand the idea of the earth's surface to include notions of dealing with the concept of space itself.
  • Information is knowledge acquired from facts and data. These facts and data are characteristics abstracted from phenomena understudy. Collecting, assembling and integrating these data provides knowledge and intelligence about the phenomena being studied.
  • A system is a method, plan or procedure with operational rules to establish order and assemble a set or arrangement of data. If the data integration results in knowledge and contains information of a spatial nature, then the system is a GIS. Although a GIS need not be automated, the contemporary definitions in the literature state or imply the notion of a computer based system.

The Federal Geographic Data Committee (FGDC) defines GIS as follows: a system, usually computer-based, for the input, storage, retrieval, analysis and display of interpreted geographic data. The database is typically composed of map-like spatial representations often called coverages or layers. These layers may involve a three-dimensional matrix of time, location, and attribute or activity. A GIS may include digital line graph (DLG) data, digital elevation models (DEM), geographic names, land-use characterizations, land ownership, land cover, registered satellite and/or aerial photography along with other associated or derived geographic data. [FGDC, 1994].

Course Structure
The course consists of both a lecture and 'hands-on' laboratory sessions each week. The lectures will discuss spatial theory, models and decomposition, as well as methods and applications of GIS. The laboratory sessions will provide a practical introduction to tools used to gather, assemble, encode, analyze and map spatial data.

Topics Covered
  • Data discovery; data sources; data gathering; data organization; data management and control.
  • Information, systems and space; spatial sampling; spatial and non-spatial data structures; spatial dimension encoded as points, lines and polygons; scale; spatial characterization and association.
  • Database and project design; data gathering; database construction; geo-positioning; global positioning systems (GPS); map projections; digitizing existing published maps; spatial data formats; spatial data  standards; data translation; data quality, precision and accuracy; boundary and data error.
  • Remote sensing; classification analysis; ancillary data.
  • Data dictionaries, meta data and standards.
  • Spatial operations; measurement; classification; polygon overlay; disaggregation and dissolve.
  • Spatial analysis; modeling techniques and landscape characterization.
  • Surface models; interpolation; location and allocation.
  • Data output and map construction; output formats and output devices.
  • Caveats, common failures and new directions in GIS.

Course Restrictions
This course does not have a limit on enrollment at this time. Attempts will be made to accommodate all interested students. There are four laboratory sections, which can accommodate 20 students each. There are 10 workstations available during each laboratory session. Student enrollment will determine whether additional laboratory sections will be added.

Prerequisites
Prior experience with computers is required. Although laboratory assignments during the term can be successfully completed by using two of the four available hardware platforms, additional flexibility will be to your advantage.

Course Text
Burrough, Peter, 1998, Principles of Geographic Information Systems
Oxford University Press

Laboratory Manual
Available in laboratory session.

Evaluation
Laboratory assignments - 40%
Mid-term - 20%
Final Exam - 40%

The GIS Laboratory Facility
212 Wurster Hall

Laboratory Manager
Juergen Steyer
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Laboratory Access
Each student enrolled in the course must purchase access for the term. The cost is $20 deposit on an access keycard and $40 for the term. Forms will be available the first week of class. A signature from the Laboratory Manager, Teaching Assistant or Instructor is required to gain access. Access is 24 hours/day during the term. Student computer accounts will be deactivated when laboratory keycard access is not current.

Computer Accounts
The Laboratory Manager will assign Computer Accounts.

Application Software
The two main software systems used in the laboratory will be:
1)  Intergraph's MicroStation for digital mapping, and
2)  Environmental Systems Research Institute's ArcView and Arc/Info GIS software used to automate, manipulate, analyze, and display geographic data in map form.

Hardware

Computers
The GIS laboratory has four types of computers, MAC, PC, SUN and DEC workstations. It is difficult to distinguish between classes of hardware platforms as computer chips themselves are no longer an accurate metric. Most students are familiar with MAC and PC workstations running a simple window based operating system. The SUN and DEC computers run a more complicated operating system called UNIX. However, we will use a window-based interface on top of UNIX and the transition from MAC and PC to SUN and DEC should be agreeable.

Digitizers
Numonics (36x48inches)
Numonics (24x36inches)

Plotters
HP Laser 4M (Black and White - 8.5x11 inches) - Most laboratory assignments
HP650C (Color - 36x48 inches) - Optional assignment

LD ARCH 197
FIELD STUDY IN LANDSCAPE ARCHITECTURE

(2–3) Hours to be arranged. Prerequisites: Upper division standing and consent of instructor and sponsor. Must be taken on a passed/not passed basis. See departmental information sheet for limitations. Supervised experience relative to specific aspects of landscape architecture. Regular individual meetings with faculty and outside sponsor. Reports required.

LD ARCH 198
DIRECTED GROUP STUDY

(1–4) No more than 4 units allowed each semester. Course may be repeated for credit. Hours to be arranged. Must be taken on a passed/not passed basis. Prerequisites: Consent of instructor. Enrollment restrictions apply.

LD ARCH 199
SUPERVISED INDEPENDENT STUDY & RESEARCH

(1–4) Course may be repeated for credit. Must be taken on a passed/not passed basis. Prerequisites: Consent of instructor. Enrollment restrictions apply.

SEARCH CED
Landscape Arch & Env Planning
University of California, Berkeley
202 Wurster Hall #2000
Berkeley, CA 94720-2000
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